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Infinito

DESIGN BY Franco Albini, 2008

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Designed between 1956 and 1957 by Franco Albini and Franca Helg, Infinito is an elegant versatile double-sided bookcase that can be used as a dividing wall; outwardly simple, it is extremely complex.

DESIGN BY

Franco Albini

Filename
infinito_835.pdf
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575 KB
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application/pdf
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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PRODUCTION YEAR

2008

An extremely flexible bookcase, with myriad modular options, suited to being against a wall or as a room partition. Franco Albini designed this piece between 1956 and 1957 using a solid wood frame, with several shelves, as well as storage units that can be fitted with standard or drop-down doors.

 

Since 2008, applying industrial manufacturing processes, Cassina has launched a number of frame and component options that help to maximise the potential of this piece, to the infinite, as its name implies. Fully free-standing, Infinito can be used from either side, both as a bookcase or display unit for objects of various kinds.

 

The verticals are floor-to-ceiling and height- adjustable, while the shelves and storage units can also be set at various heights. Infinito is available in natural or black-stain ashwood, or in Canaletto walnut.

Franco Albini

I MAESTRI

Franco Albini

He was a major figure in the Rationalist Movement, excelling in architectural, furniture, industrial and museum design. After receiving a degree in architecture from the Politecnico di Milano in 1929, he worked with the Ponti and Lancia design studios.is work for the magazine Casabella also played a key part in his development, marking his conversion to the Rationalist Movement and his becoming its spokesman on the Italian cultural scene.

 

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